Joss Whedon, Could You Please Do ‘The Tempest’ Next?

Pretty, pretty please!?

Pretty, pretty please!?

 

So, I had the pleasure of watching the newest adaption of “The Tempest” this past weekend, directed by Julie Taymor and starring an ensemble cast of Helen Mirren, Chris Cooper, Alfred Molina, Djimon Hounsou and others. I’ve regarded “The Tempest” as my absolute favorite of Shakespeare’s plays because of the interesting range of characters, of human emotion displayed, and the story itself. I was pleased with Taymor’s adaption of the play. The cinematography was breathtaking, the action sequences terrifying and realistic, and the acting superb. I thought the cast all did a wonderful job getting into their characters heads. I especially liked the turn of changing Prospero’s character into a female version. During my brief stint at college, the theater department put on a production of “The Tempest” using a woman to portray ‘Prospera’. I thoroughly enjoyed this aspect of the play, putting a woman in that position of power. It made the performance fresh and put a new spin on the character’s relationships  with one another, most notably the dynamic of a mother/daughter relationship with Miranda versus a father/daughter relationship.

Even more recently, I re-watched Joss Whedon’s brilliant film adaption of “Much Ado About Nothing” again and fell in love with it even more. Being a fan of most everything that Whedon does, I was delighted to see actors from several of his projects show up in this fabulous film. Each actor in each role was absolutely perfect. I don’t know how else to describe it.  I particularly loved seeing Alexis Denisof and Amy Acker play off one another. Being a fan of “Angel”, I was a little more than upset by the way things ended with the show and took this matching, in spirit, of how things should have really ended. The idea of setting the play during modern times, having it’s actors be so easy-going and having so much fun only made me crave more of this. I’d also really like to see what he could do with a play that’s got a little more of a darker tone, like “The Tempest”.

So, please, Mr. Whedon…please do a rendition of “The Tempest”?

*puppy-dog eyes*

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